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Cross (Torture), 2015
Chromogenic color prints on archival paper, back-mounted on dibond, plexiglass, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Cross (Torture)
, 2015 Galerie Nathalie Obadia
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Untitled XXVI-1 (Torture), 2015
Chromogenic color prints on archival paper, back-mounted on dibond, plexiglass, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Untitled XXVI-1 (Torture)
, 2015 Galerie Nathalie Obadia
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Patrick McNally, “The Hooded Men” (Torture), 2015
Chromogenic color prints on archival paper, back-mounted on dibond, plexiglass, wooden frame
101,6 x 82,55 cm (40 x 32,5 in.); 114,3 x 96,52 cm (45 x 38 in.) framed
Edition of 7 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Patrick McNally, “The Hooded Men” (Torture)
, 2015 Galerie Nathalie Obadia
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Kevin Hannaway, “The Hooded Men” (Torture), 2015
Chromogenic color prints on archival paper, back-mounted on dibond, plexiglass, wooden frame
101,6 x 82,55 cm (40 x 32,5 in.); 114,3 x 96,52 cm (45 x 38 in.) framed
Edition of 7 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Kevin Hannaway, “The Hooded Men” (Torture)
, 2015 Galerie Nathalie Obadia
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Francie McGiugan, “The Hooded Men” (Torture), 2015
Chromogenic color prints on archival paper, back-mounted on dibond, plexiglass, wooden frame
101,6 x 82,55 cm (40 x 32,5 in.); 114,3 x 96,52 cm (45 x 38 in.) framed
Edition of 7 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Francie McGiugan, “The Hooded Men” (Torture)
, 2015 Galerie Nathalie Obadia
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Brian Turley, “The Hooded Men” (Torture), 2015
Chromogenic color prints on archival paper, back-mounted on dibond, plexiglass, wooden frame
101,6 x 82,55 cm (40 x 32,5 in.); 114,3 x 96,52 cm (45 x 38 in.) framed
Edition of 7 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Brian Turley, “The Hooded Men” (Torture)
, 2015 Galerie Nathalie Obadia
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Fool’s Mask IV, Hever Castle, England (Torture), 2015
Pigment print on archival paper 285 g, back-mounted on dibond, plexiglass 3mm anti-UV, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed on a label stuck on back on the bottom right
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Fool’s Mask IV, Hever Castle, England (Torture)
, 2015 Galerie Nathalie Obadia
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Fool’s Mask and Flesh Gourge, Hever Castle, England (Torture), 2015
Archival pigment print on Canson Platine paper, back-mounted on dibond, plexiglass 3mm 99 % anti-UV, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Fool’s Mask and Flesh Gourge, Hever Castle, England...
, 2015 Galerie Nathalie Obadia
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Iron Shackle (Torture), 2015
Archival pigment print on Canson Platine paper, back-mounted on dibond, plexiglass 3mm 99 % anti-UV, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Iron Shackle (Torture)
, 2015 Galerie Nathalie Obadia
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Fool’s Mask III, Hever Castle, England (Torture), 2015
Archival pigment print on Canson Platine paper, back-mounted on dibond, plexiglass 3mm 99 % anti-UV, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Fool’s Mask III, Hever Castle, England (Torture)
, 2015 Galerie Nathalie Obadia
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The Pear, Inquisition Museum, Carcassonne (Torture), 2015
Archival pigment print on Canson Platine paper, back-mounted on dibond, plexiglass 3mm 99 % anti-UV, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
The Pear, Inquisition Museum, Carcassonne (Torture)
, 2015 Galerie Nathalie Obadia
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Untitled V (Torture), 2015
Archival pigment print on Canson Platine paper, back-mounted on dibond, plexiglass 3mm 99 % anti-UV, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Untitled V (Torture)
, 2015 Galerie Nathalie Obadia
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Untitled XVIII (Torture), 2015
Archival pigment print on Canson Platine paper, back-mounted on dibond, plexiglass 3mm 99 % anti-UV, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Untitled XVIII (Torture)
, 2015 Galerie Nathalie Obadia
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Untitled XXII (Torture), 2015
Archival pigment print on Canson Platine paper, back-mounted on dibond, plexiglass 3mm 99 % anti-UV, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Untitled XXII (Torture)
, 2015 Galerie Nathalie Obadia
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Caged (Torture), 2015
Archival pigment print on Canson Platine paper, back-mounted on dibond, plexiglass 3mm 99 % anti-UV, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Caged (Torture)
, 2015 Galerie Nathalie Obadia
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Fatima, was Imprisoned and Tortured in Sudan (Torture), 2015
Pigment print, back-mounted on dibond, wooden frame
152,4 x 127 cm (60 x 50 in.); 165,1 x 139,7 cm (65 x 55 in.) framed
Edition of 3 + 2 AP. Titled, numbered and signed by the artist on a label stuck on the back
© Andres Serrano
Courtesy Galerie Nathalie Obadia, Paris/Brussels
for more information about this artwork
Andres Serrano
Fatima, was Imprisoned and Tortured in Sudan (Torture)
, 2015 Galerie Nathalie Obadia
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